An account executive tries to find the perfect American family to use in a forthcoming advertising campaign.

Backbone is an essay on structures and metaphors of war, mechanization, dehumanization. It reveals not a paralysis of "guilt" but a reaction (against horror) that asserts itself through command of language. The premise that Braidwood employs is related to the leftist strategy "which asserts that what people believe, and thus the way they will behave, can be changed by the very form of the way in which they are represented," a formalism expressed in the Soviet publication of the twenties, Novy Lef Lef.

Writer, journalist, Pulitzer Prize-winning historian and presidential biographer John Meacham offers his timely and invaluable insights into the country’s current political and historical moment by examining its past. Based on his 2018 bestseller of the same name.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.

Captain America is finally here in his own animated short film! The story the America people have been waiting for--how a weaking named Steve Rogers became a super-human Super Hero, why young Bucky Barnes became his partner, and the incredible, unforgettable battle against the evil Red Skull!

The making of “The Devil’s Backbone” by Guillermo del Toro.

Disenchanted with their fixed places on the map, the states swap spots in hopes that each can get to see a different part of the country and do something different for a change.

Under the Trump administration, USA is a deeply divided country. One side feeds populism and religious rectitude in a monochromatic landscape, painted white, lamenting for a past that never will return. The other side fuels diversity and multiculturalism, a biased vision of a progressive future, quite unlikely. Both sides are constantly confronted, without listening to each other. Only a few reasonable people gather to change this potentially dangerous situation.

Mr. McCloud is concerned about the response time of the police department and sheriff. After discussing the situation with his staff, he decides to certify them with a conceal and carry certificate and training with use of Deadly Force. Coach St. Clair (played by newcomer Jason Connell) a former Marine Segeant takes on the task of training the staff. Mr. McCloud has hurtles to jump before he gets the green light from the super-intendant of schools. The training comes just in time to prevent a mass killing.

UNTITLED AZHAR USMAN PROJECT is a refreshingly honest and ferociously independent standup film by veteran (yet indie and underground) standup comic Azhar Usman, directed by his longtime collaborator, Paul Elia. The one-time co-creator of "Allah Made Me Funny-The Official Muslim Comedy Tour" now finds himself working in Hollywood, inside the proverbial 'Belly of the Beast,' writing for successful TV shows, and even joining the Marvel Cinematic Universe. But who cares? From thoughtful ruminations on the nature of life and existence itself, to deeply confessional and personal stories, Azhar takes a startling (yet hilarious) look at his own fears, insecurities, and privately held beliefs, while trying to make sense of the crazy world around us. UNTITLED AZHAR USMAN PROJECT is a tour-de-force of spiritual wisdom, philosophical examination, and raw standup comedy, illustrating why Dave Chappelle once remarked: "Azhar is untouchable, he's like a comedian from the future."